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• Enlace comentario Miércoles, 22 de Mayo de 2013 15:07 Publicado por JarceAssusa

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• Enlace comentario Miércoles, 22 de Mayo de 2013 07:11 Publicado por sitcorcrync

  Training video Interview w/ Sri Dharma Mittra | " New York City is the Best Place in the world to do Yoga"
  Check out this interview together with Sri Dharma Mittra, as he explains how New York City is the best place in the world to do yoga.
  The abundance of yoga studios, liquid bars, and raw food cafes make NYC, while Sri Dharma puts it, a “ comfortable” area lululemon outletto live the yogic lifestyle. Overcoming the noises and disturbances of the city make you strong, lululemon outlet sale
  says Sri Dharma. He explains that the actual conflict, money and greed that are worshiped Cheap Lululemonby so many are only subjective lululemon outlettemptations.
  When you don’ t succumb to these temptations, New York Area lululemon outlet onlinecan be an urban oasis for all you yogis out there!
• Enlace comentario Martes, 21 de Mayo de 2013 18:45 Publicado por aidetspreaxia

  PLAYBOY INTERVIEW: STEPHEN COLBERT
  One of the most controversial political attack ads of the year didn’t originate with an actual candidate or political party. It came from Stephen Colbert. Or more accurately, “Stephen Colbert,” his satirical alter ego. The ad was funded by Americans for a Better Tomorrow, Tomorrow, a super PAC formed by Colbert as part of his “exploratory committee to lay the groundwork for possible candidacy for president of the United States of South Carolina.” The super PAC ad suggested, in no uncertain terms, that presidential hopeful Mitt Romney might be a serial killer. “He’s Mitt the Ripper,” the voice-over declared. When asked about the ads by George Stephanopoulos on ABC’s This Week, Colbert (or “Colbert”) claimed ignorance. “I had nothing to do with that ad,” he said. Technically he was following to the letter the rules of super PACs, which are allowed, thanks to a Supreme Court ruling, to raise unlimited funds for attack ads without being directly connected to a campaign or candidate.“I don’t know if Mitt Romney is a serial killer,” he told Stephanopoulos. “That’s a question he’s going to have to answer.… I do not want any untrue ads on the air that could in any way be traced back to me.”It was brilliant political satire—earning Colbert a prestigious Peabody Award, his second—that crossed into the realm of performance art. Colbert mocked the system from within, using himself as a comedic straw man. Although Colbert’s main gig is behind a desk as host of Comedy Central’s faux pundit news show The Colbert Report, it wasn’t the first time he’d blurred the line between satirist and subject. Colbert has mocked President George W. Bush to his face at the White House Correspondents’ Dinner, testified before the House Subcommittee on Immigration (where he called for Americans “to stop eating fruits and vegetables”) and co-hosted with The Daily Show’s Jon Stewart a political rally on the National Mall that attracted an estimated 215,000 participants.Born in Washington, D.C. and raised in Charleston, South Carolina, Colbert coach backpacks was the youngest of 11 kids. He had a happy childhood, at least for the first decade of his life. But in 1974, when he was 10 years old, his father, Dr. James Colbert, and his two brothers closest cheap coach factory to him in age—Peter, 15, and Paul, 18—were killed in an airliner crash. Colbert found solace in science fiction and acting. He ended up in Chicago, studying theater at Northwestern University and joining the Second City comedy theater. He was hired as a correspondent and writer by The Daily Show in 1997, where he stayed for nine years before the network offered him The Colbert Report. Within a year, Colbert was averaging 1.5 million viewers a night. In April he was named one coach factory of Time magazine’s 100 Most Influential People in the World.The 48-year-old comedian has two best-selling books, I Am America (and So Can You!) and the children’s book I Am a Pole (and So Can You!), and a new book, America Again: Re-Becoming the Greatness We Never Weren’t. He enjoys a quiet home life in Montclair, New Jersey with his wife, Evelyn—an actress he met in 1990—and their three children, Madeline, Peter and John.We sent writer Eric Spitznagel, who last interviewed Charlie Sheen for PLAYBOY, to talk with Colbert. He reports: “I met Colbert at his studio office in New York’s Hell’s Kitchen. I’d actually met him before, back in 1992, when I was a newly minted box-office employee at Second City in Chicago and he was in his final months performing with the main-stage cast. As we talked, Colbert sat behind his desk, his most recent Peabody in front of him, and outside the open window behind him an American flag fluttered in the breeze, perfectly positioned coach factory over his right shoulder in a way even his fictional doppelg?nger couldn’t hope to choreograph.”PLAYBOY: When people meet you for the first time, which version do they want, Stephen Colbert or “Stephen Colbert”?COLBERT: I think they always want to meet the guy who’s going to show up and tell jokes. But if I’m asked to do something that isn’t specifically a performance, then I have to be very specific that he’s never going to show up.PLAYBOY: “He” being the other Stephen?COLBERT: That’s right. If I’m doing a talk show or an interview like this, or pretty much anything where I can’t control the context, I’m loath to do the character.PLAYBOY: Why?COLBERT: Because outside the context of the show, you have to be okay with the clang of him against reality.PLAYBOY: But isn’t that what makes him funny?COLBERT: Yeah, but that doesn’t always work in a different context. We create our own reality on the show. I’m in a cocoon of the character’s creation. Even within that reality, he’s in a cocoon. Unless I’m doing something like the Correspondents’ Dinner, testifying before Congress, doing the rally or something where I’m purposively injecting myself into a story, there’s no benefit to pushing him up against reality. While I’m an improviser and enjoy discovery, the show follows a script. I have a pretty good idea what’s going to happen. It’s a very crafted, controlled environment.PLAYBOY: You can’t control what happens with the guests, can you? They’re not following a script.COLBERT: No, but they’ve all been warned. I tell everybody the same thing: “I do the show in character, and he’s an idiot.”PLAYBOY: Is that still necessary? Do people come on The Colbert Report and not know what to expect?COLBERT: It’s usually someone from another country or from a rigorous academic discipline who doesn’t have a lot of time for TV. Mostly I tell them because it’s a ritual for me. I have to remind myself what I’m about to do, because I rarely hit it as hard as I used to.PLAYBOY: Why not?COLBERT: It’s hard to remember. Often I’m just very interested in what my guests have to say. You have to be vigilant to stay ignorant.PLAYBOY: Your guests have to be willing to play along too.COLBERT: They do, yes. That’s what I tell them before the show. I tell them, “He’s willfully ignorant of what you know and care about. Honestly disabuse him of his ignorance and we’ll have a good time.” The important thing in that sentence is slowly] “honestly disabuse him of his ignorance.” Actually tell him why he’s wrong. Hopefully that makes it easier for the guest. All they have to do, as my guest producer Emily Lazar says, is talk to him as though he’s a harmless drunk at the next bar stool.PLAYBOY: That can still be intimidating. You’re essentially asking them to walk into an argument.COLBERT: Yeah, but it’s an argument with an idiot. Some people perceive me as an assassin or at least someone who can slip under your guard with a knife. But if you watch what I do, that’s almost never the case. I’m just trying to keep the balloon in the air. It rarely turns into anything combative. It’s mostly just silly, or it’s my character expressing his ignorance on a difficult or not-at-all difficult subject. It’s an opportunity to knock down common ignorances. And I would pray that guests do that.PLAYBOY: Democratic Virginia congressman Jim Moran compared doing your show to “consensual rape.” Does that seem about right?COLBERT: I wouldn’t put that on my business card, nor would I make it my campaign slogan if I were Jim Moran. I suppose the consensual part was him being unbelievably playful. He was up for anything, even after I called him a poor man’s Ted Kennedy.PLAYBOY: If people think you’re an assassin or that being on the show is like rape, why do they do it? What’s the benefit for them?COLBERT: I don’t know. Maybe they have a book to sell. I hope that perception is starting to change. I think politicians are the only ones who are wary about us. That’s why we get almost no conservatives anymore. Even conservative pundits are hard to come by, which is too bad. 12345Next
• Enlace comentario Martes, 21 de Mayo de 2013 18:32 Publicado por itapsetle

  Playboy.com's Picks the Best Celebrity and Political Scandals of 2012
  Every year about this time, lists recapping the year’s best whatever start to surface, and we’re telling you right now they’re all bogus, save ours.Over the next few weeks, Playboy.com’s Picks 2012 will provide you with the year in review, from movies to music to viral trends, political and celebrity scandals and even ideas. We’re showcasing the year’s best across the board and on tap this week: Celebrity, sports and political scandalsThe David Petraeus AffairHigh-powered political figures having extramarital affairs is nothing new. In fact, it’s old. As old as time. We can go back to the salad days of the Holy Roman Empire and trot out a whole slew of serial philanderers who were a lot less discriminating and discreet about their sexual flings, pretty much propositioning anything within arm’s reach with two legs (or four) and a pulse. What makes the Petraeus affair particularly intriguing is the elaborate web by which it was revealed, the people it entangled, the timing when it came about and, of course, the alarming lack of discretion on the part of the DIRECTOR OF THE CIA (!), the one man in America you’d figure could cover up something like this. If we’ve got this right, some social butterfly in Miami (who had been exchanging thousands of inappropriate emails with General John Allen in what we’ll assume was not] an unrelated sexual aside) employed an FBI agent who had once sent her shirtless photos (putting the weird sexual asides tally at two) to investigate David Petraeus, who I guess had some busy hands under a table at a social function with said social butterfly (make that three). Shirtless FBI agent uncovers a series of less-than-well-hidden illicit emails exchanged between Petraeus and his biographer Paula Broadwell, prompting Shirtless FBI agent (hopefully now wearing a shirt) to tell House Majority Leader Eric Cantor, so House Majority Leader Eric Cantor can fly off the handle like only a Republican House Majority Leader can, but not before President Barack Obama is elected to a second term.The result: The upper echelons of the American military establishment come crashing down, Coach Outlet rumors from coach backpacks outlet Republicans start to fly about Obama’s transparency on the matter (ON EVERY MATTER!!) and Shirtless FBI agent is forced to put a shirt on to testify (something he really hates fucking doing). All over Broadwell, who, I guess, is…you know…okay for a 40-year-old married lady with two kids.The Immaculate ReceptionIt took close to six weeks of absolutely awful football for the owners and the NFL to come to the conclusion that they may in fact need referees to continue playing their game in good conscience. And had it not been for the above event, it Coach Outlet may never have happened at all. Golden Tate’s catch (or not catch or interception or whatever) sparked such a riot across social media sites, and forced close to 200 million dollars in bets to be negated, that the NFL had no choice but to, you know, pay people relatively reasonable sums of money to do their jobs. The $18 million the referees “shamelessly stole” from the poor NFL owners represents about 0.2 percent of the revenue the NFL made last year. But it made millions of fans question whether the NFL is actually concerned about their consumer base. That, compounded with the recent rash of lockouts that have spread across three of factory Coach Outlet the four major sports and the ever-increasing costs associated with even attending a game, has millions more wondering whether major league sports are even worth the trouble; why should we care when it’s clear the leagues’ corporate owners only see us as walking, talking dollar signs?Every Sentence Ever Uttered by a Republican in 2012Honestly, pick one: “Binders Full of Women,” “Big Bird,” “Empty Chairs,” “47 percent.” Between all the talk about building 100-foot walls around the state of Arizona and the Pro-Death cheering that erupted from the far-right when Ron Paul was asked whether he’d let a fatally wounded but hopelessly uninsured man die in a hospital, it was hard to decipher whether the Republican party has said anything intelligible at all over the course of the last calendar year. The fact of the matter is, the American Right has gone around the bend and the American electorate punished them for doing so. As far as scandals go, this one doesn’t necessarily fit the bill, but its effects are far-reaching and long-term for America at large, who thankfully don’t coach backpacks have to return to the polls for another four years; if they had to any sooner they’d find themselves living in a one-party oligarchy, the other “party” being so far-flung and unhinged that it would be hard to justify voting for a bunch of mutant lawmakers to live in the White House.LivestrongListen, guys: no one wins seven consecutive Tour de Frances without cheating. The very concept of the Tour de France doesn’t allow for dynasties. It’s like a hundred thousand stages long and you pretty much have to clean up at every one to win it. One person might do that once in his life, but to do it seven times in coach backpacks outlet a row is ridiculous. It’s the stuff of fairy tales or poor plot-driven sports films from the ’70s. It’s just something that doesn’t happen. Lance Armstrong deserves every bit of what he got (the jerk abandoned his wife after she supported him through years of chemotherapy), but the fallout surrounding this scandal is troubling for two reasons. One, it raises questions about the entire sport of cycling; if Armstrong was cheating, what about the 20 or so other guys who finished the Tour de France not so far behind him? Were they all cheating? Why should we be bothered to respect a sport like that? The second is more worrisome: what becomes of Livestrong, an organization that does exceptional work and through no fault of its own is forever sullied by association.
• Enlace comentario Martes, 21 de Mayo de 2013 18:27 Publicado por unjuffgof

  Playboy Interview: Bill Cosby
  s Note:Before all theJello and the Huxtables, Bill Cosby was in the thick of the civil rights movement as an up-and-coming black comedian fighting for his right to the limelight. Forget the lovable father figure, the goofy faces and kids saying thedarnedest things; this 1969 incarnation of Cosby is controversial, outspoken and true to his roots.]"The fact that I'm not trying to win converts bugs some people, but I don't think an entertainer can. I've never known any white bigot to pay to see a black man, unless the black man was being hung.""I was hoping to become a schoolteacher. Chicks would put that down. There's probably girls today think, 'I sold Bill Cosby short at $12, and now he's $432 a share. Damn.'""Rap Brown and all the other militants speak the truth when they tell America that the black man is not going to take any more bullshit; we've been here 300 years and we've had it with waiting."During this decade, no comedian -- black or white -- has come close to achieving the superstardom Bill Cosby has fashioned for himself in the short space of seven years. At 31, he commands a fee of $50,000 a week for nightclub dates; and on concert tours, he often earns three times that figure. Cosby has also vaulted to the top of two industries: He won four consecutive Grammys for his comedy albums and three Emmys in a row for his co-starring role as secret agent Alexander Scott on NBC'sI Spy, his first attempt at acting. In 1967, Cosby recorded two albums of rhythm-and-blues vocals, with the perhaps predictable result that one of his cuts,Little Old Man, was a top pop hit for more than two months. And in April of this year, Cosby coach factory online began filming his first movie, a remake ofHere Comes Mr. Jordan, in which he enacts the comic gangster role originally played by Robert Montgomery. So great is the demand for his services that NBC recently signed him to a five-year contract that will net him anywhere from $15 million to $50 million; it calls for, among other things, an annual Cosby TV special, two cartoon specials based on his subteen superheroes, Fat Albert and Old Weird Harold, andThe Bill Cosby Show, beginning next fall, in which he will be featured each week as a San Francisco schoolteacher who moonlights as a detective.Speaking of moonlighting, Cosby is also becoming as adept an executive as he is an entertainer. He and business partners Roy Silver and Bruce Campbell are assembling an entertainment conglomerate, based in Beverly Hills, whose net worth has already approached the $50 million mark. Among their properties: a record company (Tetragrammaton, which released the controversial John Lennon-Yoko Ono LPTwo Virgins, featuring a frontal nude photo of the loving couple), a cartoon-animation studio, a public-relations firm, a talent-management corporation, a projected chain of Fat Albert hamburger stands and a motion-picture-production company that already has a five-film, $12 million contract with Warner Bros.-Seven Arts.To everyone's surprise but his own, Cosby's emergence as a one-man industrial giant has had no adverse effect on his personality. On stage and off, he is informal, unpretentious and, to use his favorite adjective, cool. Married, the father of two daughters and with another child on the way, Cosby maintains that he's perfectly willing to sire as many as 20 girls before he stops trying for a son. The Cosbys live in a huge Spanish-style home in Beverly Hills, where Bill spends a good deal of time informally entertaining friends, most of whom, like trumpeter Miles Davis and Boston Celtic player-coach Bill Russell, are either black entertainers or black athletes.Sports are a prime passion of his: Cosby watches as many televised football games as his wife will put up with and, during the year, plays charity exhibitions with a pickup basketball team -- often on behalf of local black groups -- throughout the Los Angeles area. No stranger to ghetto residents, Cosby gets a special kick out of working with youth. He sponsored a group of young Watts musicians in 1967, called them the Watts 103rd Street Rhythm Band and featured them as accompanists on a couple of his TV guest shots. To Cosby, it represents the way he can -- and does -- help other black people. His prospects in life not too many years ago, as he himself is the first to point out, were even dimmer than those of the Watts group before he aided them.The eldest of three sons, Bill was born on July 12, 1937, in an area of Philadelphia thatTimeinterviews once christened The Jungle. Bill's boyhood was typical of many a black youth's: He shined shoes, played street football and schoolyard basketball, took part in teen-gang wars and compiled a lackluster academic record from the moment he set foot in school ("William would rather clown than study," his sixth-grade teacher noted on a report card Cosby now keeps framed in his home). At Germantown High School, he was captain of the track and football teams, which took up most of his time; after he had to repeat his 10th year because of poor grades, Bill dropped out of school to join the Navy as a medical corpsman. "I read the Geneva convention and it says you can't shoot a medic," he explained later. "And we were very popular -- first thing wounded guys in the field would shout was 'Medic!' 'What do you want?' I'd ask. 'My leg! My leg!' 'Sorry, but I don't make house calls.'"All his kidding aside, Cosby felt that the military life was largely a waste of time. "The thing I really hated," he recently recalled, "is that a Coach factory outlet online guy with one stripe more than another cat thinks he has the power of God over him -- and he does. After my first few days in the Navy, I knew I'd have to make it as a civilian. And for that, I needed an education." Accordingly, Cosby enrolled in correspondence courses conducted by the Navy and soon earned a high school diploma. Just before his tour of duty was completed, he competed for the Navy in a track meet at Villanova University. Gavin White, at that coach factory outlet time the track coach of Villanova's city rival, Temple University, was in the stands that afternoon. Cosby was introduced to White and asked if Temple would consider offering him a track scholarship when he got out of the Navy. White replied that it could be arranged, and it was.A versatile college athlete, Cosby participated in more than a half-dozen events for Temple's track team, winning the Middle Atlantic Conference's high-jump competition with a leap of six feet and running the 100-yard dash in 10.2 seconds. As a second-string fullback on the varsity football squad, he was scouted for the New York Giants by Emlen Tunnell, who rated him as having a good chance to make the National Football League as a defensive safety.Cosby decided to earn spending money by taking a job tending bar in a small downtown Philly cocktail lounge, where his comedy career began -- inadvertently -- when he found himself entertaining customers to pass the time. After trying out a few bits at campus parties, Bill did occasional stand-up routines in other bars and, on weekends, would journey up to New York's Greenwich Village in search of better-paying gigs, where he finally landed a $60-a-week job at the Gaslight Club in the summer of 1962. By autumn, Cosby was commuting regularly from Philadelphia to New York for weekend appearances in Village clubs. It wasn't long before comedy and college became incompatible. "Bill wanted to travel to a football game in Ohio by himself," recalls Temple athletic director Ernie Casale. "He couldn't make the team flight because of a show-business commitment. I told him that, realistically, he'd soon have to choose between Temple and show business. He made the choice right there and then."Though he made the right decision, he coach factory outlet online free shipping wasn't too sure at the time; his mother didn't want him to leave college, and neither did he. "But I was making as much as $300 on weekends," he remembers, "and even though I wasn't sure how long it would last, I was determined to see it out." By 1963, Cosby had graduated to top Village spots such as The Bitter End; and that summer, Allan Sherman, who was guest-hosting theTonightshow for vacationing Johnny Carson, caught his act and put him on network TV for the first time. A few weeks after that, Sherman co-produced Cosby's first album,Bill Cosby Is a Very Funny Fellow...Right!His career has been straight up ever since.Over the years, Bill has been the subject of a series of limpid interviews; perhaps with the misguided intention of boosting a black comic who wasn't skewering whites on stage, writers and editors have often deleted his more trenchant off-stage observations about the black man's place in America -- almost to the point of coach factory online outlet making him seem an Uncle Tom. As a result, he roundly dislikes the press. coach factory online outlet "One interviews sent a guy out to spend three or four days with me. That cat and I talked for hours about what's happening to black people in this country, and I couldn't wait to see the issue. But it was really stupid, man. They were more interested in showing me playing basketball with my press agent than in what I had to say."In an effort to reveal the real Cosby, Playboy dispatched Associate Editor Lawrence Linderman to accompany him on a series of one-night stands in the Midwest. Reports Linderman: "Cosby's life is incredibly departmentalized; aside from his personal appearances, he's constantly hopping across the country to show up for business conferences, TV guest shots, his friends' first nights and assorted film commitments. This schedule literally knocks him out. It isn't unusual to walk into Cosby's dressing room between performances and find him dozing in a straight-backed chair, a long-dead cigar propped between his lips. He stays that way until it's time to go on, then snaps awake instantly and gets himself 'up' on the way to the stage. Once there, he turns on and works as hard -- physically -- as any comedian I've ever seen. But the most impressive thing about watching Cosby perform is to realize how wide the appeal of his humor has become: The same routines that make him a hit in Harlem's Apollo go over just as big with all-white crowds in Las Vegas and Des Moines." The universality of Cosby's comedy provided the opening for our interview. 12345678Next
• Enlace comentario Martes, 21 de Mayo de 2013 18:16 Publicado por sypeBreerssof

  Movie Review: Leonardo DiCaprio in The Great Gatsby
  Director: Baz LuhrmannMPAA Rating: PG-13Studio: Warner Bros.Stars: Leonardo DiCaprio, Carey Mulligan, Tobey MaguireFriend, you have bought yourself the wrong ticket if you’ve gone in expecting subtlety, nuance or depth from a movie by Baz Luhrmann, a director whose amp is stuck permanently at 11.;The Australian bling king, best known for attempting toreinvent Shakespeare with Romeo + Juliet and reimagining GiacomoPuccini’s La bohème as Moulin Rouge!, is a ringmaster of gaudy,way over the top gaga extravaganzas and spectacular spectaculars. In acautious, corporate era of moviemaking, his is a peculiar, almost admirablyquixotic aesthetic that pretty much says, “more is not enough.”?Likesome hyperactive, highly creative love child of Ken Russell, Peter Allen coach factory online andElton, this is a director whose best work can be enthralling, if exhausting.When things don’t come together, Luhrmann’s work could drown you in giddy,gauzy, campy, candy-colored kitsch. After Australia, a deliriously brave attempt to createanother romantic epic à la Gone with the Wind, he’s now taken aim at F.Scott Fitzgerald’s 1925 novel The Great Gatsby. He and frequent scriptcollaborator Craig Pearce have pummeled Fitzgerald’s masterwork, an Americanfable set at the height of the ultimate party of prosperity known as theRoaring Twenties. In case you’ve forgotten the novel since high school—or, liketoo many, you’ve only cribbed from the Cliff Notes version—The Great Gatsby isa shimmering, deceptively simple cautionary tale in which an aspiring writerrecalls the summer of his relationship with a legendary, haunted,class-conscious dreamer and self-made zillionaire named Gatsby and that sad,delusional man’s pursuit of a brittle, fascinating, casually cruel marriedSouthern belle named Daisy. It’s a novel filled with mirage-like symbols andmeanings that, on paper, haunt the imagination; on screen, they’re cheap andobvious.There’s a lot to enjoy here, though, even if the pleasuresare slightly guilty ones. Lurhmann fans who get off on his swirling camera, ADD-stylecutting, overstuffed posh and wretched excesses won’t feel let down by whathe’s done to Gatsby.?For instance, as the title character, played byLeonardo DiCaprio, makes his first entrance, the screen erupts with fireworksand the soundtrack thunders with a crescendo from George Gershwin’s Rhapsodyin Blue. Top that.? Swirling around his starry cast that coach factory outlet also includes CareyMulligan, Tobey Maguire, http://coachfactoryhandbagoutlet2u.webs.com/ Joel Edgerton and Isla Fisher, the director and his coproducerShawn “Jay-Z” Carter have triple-iced their 40-layer, 10-ton sugar cake with ananachronistic rap, torch and rock music soundtrack that includes cuts byBeyonce, Jack White, Lana Del Rey and Jay-Z, the last of whom spins rhymesabout the crash of the stock market, a cataclysmic event that happens sevenyears after the movie’s action. Not that anyone will be paying that muchattention, what with the dump truck of visual and aural goo spread over theJazz Age by moviemakers who’ve concocted a dizzyingly opulent looking thing—in3-D with massive amounts of CGI—but one that not only looks like a flashy videogame but also coach factory outlet entirely misses the point of the novel.?If Fitzgerald’s scathingly critical book in part warned aboutthe dangers of new American millionaires and the triumph of imagination overreality, Luhrmann grovels in excess, flinging at us confetti, eye-rolling,wild-dancing partygoers and Gatsby’s expensive Prada silk shirts in the wayhokey old 3-D flicks tried to make audiences duck by hurling boomerangs andtomahawks.? Does Baz Lurhmann know that he’s remaking The Great Gatsbyand not Brian De Palma’s Scarface? herve leger dresses Maybe he doesn’t see any difference. Leonardo DiCaprio isn’t the first big movie star of his era to play Gatsby, the mysterious, faintly sinister poseur and romantic who throws wildly extravagant parties through which he floats. Noirtough guy Alan Ladd, for instance, got there in the late ’40s, andthough the movie he’s in may be shaky, he’s the real deal. You can see whatDiCaprio is going for, and often he’s right on the Coach factory outlet online mark in playing the shadowy,up-by-the-bootstraps, determinedly upwardly mobile guy who peppers hisconversations with “old sport” and struggles to master a posh accent and tonyaffectations he’s studied from stage plays, books and the friends hebuys.?The star looks like a gilt-edged thoroughbred and, when the movieisn’t fussing over and fetishizing him instead of making him a figure ofridicule, he may not be stretching himself, but he’s quite good.As the captivating, beautiful, empty-headed and irredeemable Daisy,Carey Mulligan, miscast, tries hard but looks stranded; the way the movietreats her character and the way she plays it snuffs the character’s light andmagic and leaves only the glum. You have to wonder why this Daisy haunts Gatsbyso much, aside from her social class and unattainability. 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